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Jay Roach Writers: Charles Randolph synopsis: Bombshell is a movie starring Charlize Theron, Nicole Kidman, and Margot Robbie. A group of women take on Fox News head Roger Ailes and the toxic atmosphere he presided over at the network Genre: Biography Audience score: 9596 Vote. Bombshell pc gameplay. 2020 R 109 min. Crime / Drama Trailer Watchlist Academy Award winners Charlize Theron and Nicole Kidman and Academy Award nominees Margot Robbie and John Lithgow deliver tour-de-force performances in this provocative true story of three whip-smart, ambitious, strong women who anchored one of America's most powerful news networks—becoming headlines themselves when they risked everything to stand up to the man who made them famous. Rated R for Adult Situations, Adult Language 2019 LUCITE DESK LLC AND LIONS GATE FILMS INC. ALL RIGHTS RESERVED.

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Cant wait for 20-30 years time when Im nearing retirement age and most of the creepy old CEOs, bosses and managers are dead or retired. Edit: What a beautiful and poignant way to end the discussion - we really need to think of our daughters, granddaughters, nieces, little sisters, etc. when considering their place in society and the workplace when theyre older. Bombshell parfem. Bombshell showtimes near me. Bombshell movie prague. Bombshells houston tx. Bombshell movie showtimes. Most beautiful blondes in Hollywood! Love them all. UNLIMITED TV SHOWS & MOVIES SIGN IN In 1985, when a vessel protesting nuclear testing is sunk in New Zealand, local police fight to prove it was a terrorist plot by their French allies. Starring: Ande Cunningham, Mark Mitchinson, Mia Pistorius Watch all you want for free. More Details Watch offline Available to download This movie is. Understated Audio English [Original] English [Original] Cast Ande Cunningham Mark Mitchinson Mia Pistorius Nathalie Boltt Nathan Lovejoy Colin Moy Jay Simon Coen Falke Greta Gregory Byron Coll More TV Shows & Movies Coming Soon Mama K's Team 4 In the neo-futuristic city of Lusaka, Zambia, four scrappy teen girls join a retired secret agent on a quest to save the world! On a budget. Great Pretender Makoto thinks he's the greatest swindler, until he mistakenly cons a mafia bigwig. From the minds behind "91 Days. FLCL. Attack on Titan" and more. All The Bright Places Two teens struggling with emotional scars change each other's lives in this film based on the best-selling novel. Elle Fanning and Justice Smith star. The Hall: Honoring the Greats of Stand-Up In this special comedy event, top stand-ups of today honor legendary comedians of the past who helped shape comedy into what it is now. The Willoughbys In this animated feature, four children abandoned by their selfish parents learn how to adapt their old-fashioned values to the contemporary world. Hyena To survive in a dog-eat-dog world, two rival lawyers with high-class clientele tear apart anything that stands in the way of their ambitions. Crip Camp Down the road from Woodstock, a revolution blossomed at a summer camp for teens with disabilities, transforming their lives and igniting a movement. Midnight Mass A community experiences miraculous events and frightening omens after a mysterious priest's arrival. From the creators of "The Haunting of Hill House...

Bombshell makeup. The provocative true story of three smart, ambitious, strong women who anchored one of America's top news networks-and risked everything to stand up to the man who made them. Available on Feb 25, 2020 By ordering or viewing, you agree to our Terms. Sold by Services LLC., 11 customer reviews There was a problem filtering reviews right now. Please try again later. January 9, 2020 Format: Blu-ray Bombshell, when you analyze it rather than falling for the emotions it wants you to, is not actually trying to educate or improve a culture of sexual harassment in the workplace. (Thats just my opinion, mind you. It seems on the surface like a necessary movie because of the badly needed Me Too Movement, which started with Harvey Weinsteins downfall in late 2017 but had an earlier model of success in Gretchen Carlsons lawsuit against Fox News chief Roger Ailes. The movie makes no attempt at objectivity, which I think is its major weakness. If it was going strictly by what people have said on the record, rather than using anonymous sources, the movie would have some merit. But the bulk of the encounters and exchanges in the movie are fictionalized, which the moviemakers say is okay because theyve talked to lots of people who currently and formerly work at Fox—so just trust them to be accurate in the movie, they say. The character of “Kayla” played by Margot Robbie is part of my complaint. I was okay with the way the Gretchen Carlson (played by Nicole Kidman) lawsuit against Ailes was depicted, but Kayla is a fictional character who is initially an idealistic and naïve Fox loyalist, working there as her dream job, until Kate McKinnons lesbian character makes Kayla an instant lesbian (they meet at work, then next scene theyre together in bed) and Kayla becomes one of Ailes sexual conquests. Then she joins in the lawsuit. She doesnt seem at all like a realistic character to me because she wouldnt be so eager to become a lesbian if she was actually as dedicated to the religious conservatism as she originally is. Nor would she need her lesbian partner to help her understand that Ailes is doing the wrong thing to her. That subplot is just stupid. The excessive profanity in some parts of the movie felt to me like a distractor which seemed only intended for dramatic effect (like anger can only be expressed in a movie if you have lots of cussing) not like how the incidents would have happened. Roger Ailes seems accurately depicted by John Lithgow—who looks COMPLETELY DIFFERENT in this role. Charlize Theron did a very good job with prosthetics and vocal work on taking on the look and overall demeanor of Megyn Kelly, who was somewhat late in joining Gretchens cause against Ailes but nonetheless very credible. I think the movies most important point is that Gretchen Carlson, while getting an apology and payment from Fox News for wrongful termination due to her unwillingness to have an affair with Ailes, still cannot talk about specifics. It seems only a half-victory until those “nondisclosure” codes get changed. I have Megyn Kellys book Settle for More and consider it to be the best resource about that period of Trumps ascendancy and Ailes downfall in 2015-2016. She gives specifics in that book about her complex history with Ailes, which are accurately described in conversations in the movie Bombshell. But if Bombshell is meant to be helpful for enlightening people about sexual harassment in the workplace, it hurts itself with a tone of vitriol throughout, such as Kate McKinnons fictional lesbian who works there saying—in a quote in the trailer which also is in the movie—“The world is a bad place, people are lazy morons, minorities are criminals, sex is sick but interesting. ” All the other Fox News people, in their one-or-two-sentence cameos by actors who are supposed to somewhat resemble them, are depicted as out of touch or overlooking Ailes misbehavior. The movie seems to be primarily just about hurting Fox News. It also brings up the unsubstantiated lawsuit by Andrea Mackris against Bill OReilly in which she said he harassed her and called her while using a vibrator on himself. His termination from Fox, unlike Ailes, was not adjudicated properly; Gretchen had compiled audio evidence on Ailes harassment which never was released to the public but was taken to court and adjudicated by the Murdochs (the family which allowed Ailes to create Fox News. OReilly was terminated almost immediately after a New York Times article about payments to settle sexual harassment cases with several women, but due to his own nondisclosure agreements was not allowed to defend himself or correct what he says were inaccuracies in the article, and settlements do not equate to admissions of guilt. Settlements by payment and nondisclosure agreements are sometimes used to prevent public, long-term court cases that hurt the family of the accused, which is OReillys defense. The movie did a disservice by equating the Ailes case with the OReilly case. OReilly is only referred to and has an actor doing a couple lines as he has a conference, not a major part of the movie. But I feel the movies grouping of him with Ailes, and implication that “everyone” who worked at Fox knew Ailes was a dirty old man, were inaccurate. Even though Roger Ailes had a lot of Trumps conspiracy theory mindset, I think it oversimplifies him by portraying him and the Fox News reportage as bigoted. If I were you, I would pass this one up, and instead read Megyn Kellys book Settle for More. December 23, 2019 Format: Prime Video Theater review. Possible spoilers. Director Jay Roach might not seem like the director for an expose like this given his resume (Austin Powers movies, Meet the Fockers, Dinner for Schmucks) but he pulls it off. Some of the credit would seem to go to writer Charles Randolph who was responsible for “The Big Short. ” This film has much of that style. That is narration, superimposed facts, etc. The film is focused on Roger Ailes (excellent John Lithgow in a fat suit and heavy facial makeup) who single handedly put Fox News on the television map. His marketing acumen may have been successful but he also left a bevy of female staffers humiliated at best and sexually assaulted at worst. There are 3 women at the center of the story. Gretchen Carlson (Nicole Kidman) is the first to bring Ailes misdeeds to light. She had gone from a rising star on the Fox morning show to a less visable host in a late afternoon time slot. Why? She had shunned Ailes sexual advances. She leaves the network fairly early in the movie and sues Ailes personally. In an award-worthy performance, Charlize Theron plays Megyn Kelly who remains at the network but is under scrutiny because of the 2016 presidential debate where she asks candidate Donald Trump about his treatment of women in the past. Ailes and indeed Fox were backers of Trump and were stunned by the question. Kelly suffered the consequences for a long time and later acknowledged Alies had come on to her earlier in her career. The third woman is Kayla Pospisil (Margo Robbie. Kayla is an amalgam of actual women at Fox over the years. Shes highly supportive of the network and Ailes from the beginning. She is also hungry for advancement and manages to get Ailes attention. In a scene that had most of the audience squirming in their seats, Ailes auditions Kayla by modeling in front of him. He urges her to keep hiking up her skirt in order to see her legs – “Its a visual medium he suggests. ” All the women are great. Theron in particular captures not only the look of Kelly but the slightly arrogant and aloof physical persona. Its an amazing transformation. If “Bombshell” can be criticized it would be because the film doesnt go very deep into the workings of Fox. We get a surface view as the attention is on Ailes, less so on the network or his boss, Rupert Murdoch (Malcolm McDowell. In small but interesting roles, Kate McKinnon shows up as a closeted lesbian producer and confidant of Kaylas. Connie Britton plays Ailes wife Beth, a supporter of her husband until a startling scene in the final act. Mark Duplass plays Kellys husband Doug Brunt and Allison Janney is Susan Estrich, Ailes lawyer. In spite of the content, this is a fast moving, highly entertaining and important film. Highly recommended.

Bombshell box office. 2:06 That'd so be me meeting Nicole!😂😂❤haha! Great video❤. Bombshell kino praha. Bombshell interview. What is Reelgood? Reelgood is the most extensive guide to streaming in the US, with every TV show and movie available online. Browse through every TV series and movie and sort by title, release year, genre, IMDB rating, and, most important— see where to watch it. Then play with a single click or tap. 'The easiest, most powerful universal search engine for all streaming services. Wired.

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If coronavirus takes hold here we wont even have an election. Bombshell movie trailer. That is some expensive propaganda right here. orange man bad lol. Express. Home of the Daily and Sunday Express. BOMBSHELL has received a number of Oscar nominations and is now out in cinemas - but can you watch the full movie online? PUBLISHED: 12:15, Fri, Jan 17, 2020, UPDATED: 12:29, Fri, Jan 17, 2020 Bombshell is the latest movie in the running for an Oscar to be released in the UK. The film stars Charlize Theron, Nicole Kidman and Margot Robbie as three women battling against the Fox News forces in the real-life sex scandal which became top of the news agenda. Theron and Robbie have been nominated for their work, but can you watch the film online? Can you watch Bombshell online and is it legal? Bombshell has just been released in cinemas and is not being released simultaneously with streaming services. As a result, it is not available to stream online. Any other website claiming to have the film for streaming or download is illegal. The Digital Economy Act 2017 means people could now face ten-year prison sentences for illegally streaming copyrighted content. READ MORE: Just Mercy streaming: Can you watch the full movie online? Is it legal? Bombshell streaming: Can you watch the full movie online? Is it legal? Image: Lionsgate) To be sure youre not watching copyrighted material, you should go direct to companies such as Netflix or Amazon Prime, according to FACT (Federation Against Copyright Theft. Adding further to these warnings CEO of FACT Kieron Sharp said: “There are now more ways than ever for consumers to watch movies and TV but not going to legitimate sources to watch new movies is not a grey area: it is against the law. “As well as being illegal, evidence shows that streaming pirated content is incredibly risky and can expose users to malware and inappropriate content. “Not only does that deny the best viewing experience, its just not worth taking the chance. ” READ MORE: Joker Oscars 2020: THIS is why Joaquin Phoenixs Joker will win Best Picture at Oscars Margot Robbie and Kate McKinnon in Bombshell (Image: Lionsgate) Nicole Kidman in Bombshell (Image: Lionsgate) What is Bombshell about? Lionsgates official synopsis of Bombshell reads: “Starring Academy Award winner Charlize Theron, Academy Award winner Nicole Kidman, Academy Award nominee John Lithgow and Academy Award nominee Margot Robbie, and based on the real scandal, Bombshell is a revealing look inside the most powerful and controversial media empire of all time, Fox News, and the explosive story of the women who brought down the infamous man who created it. “The film is directed by Emmy Award winner Jay Roach and written by Academy Award winner Charles Randolph. ” Lithgow plays Roger Ailes, who was the head of Fox News when Gretchen Carlson, a former Fox News anchorwoman, files a sexual harassment lawsuit against him. Charlize Theron, Margot Robbie and Nicole Kidman in Bombshell (Image: Lionsgate) Carlson alleged she had been sacked from her job due to her rebuffing his advances. Three days later, Ailes biographer Gabriel Sherman claimed six women had alleged they had been sexually harassed by Ailes. In 2016, Fox News anchorwoman Megyn Kelly detailed further allegations of sexual abuse and harassment against Ailes in her book. Carlson is portrayed by Kidman in the movie, while Kelly is played by Charlize Theron with some incredibly accurate prosthetics, while Robbie plays Kayla Pospisil, a fictional woman who also claimed to have suffered sexual harassment from Ailes. Bombshell is in cinemas now.

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I will see this just to see John lithgows makeup, looks incredible. Listen to 1:34. Bombshell bra. Bombshell rocks. Bombshell tanning lotion. 2:09 holly cow I know that background place. Its was near my job we were wondering what they were filming now we know.

THE REPUBLICANS SWAMPS ARE ALL TRAITORS AND CRIMINALS. Margot Robbie has beauty, brains, and talent. Bombshell movie near me. Nearly all of the nights winners are available online to stream, rent or buy. Heres at look at what they are and where to find them. Credit. Clockwise from top left: Neon; Niko Tavernise/Warner Bros. Wilson Webb/Netflix; Pathe [ Need help deciding what to watch on Netflix, Disney Plus or other streaming services? Subscribe to our Watching newsletter, which arrives twice weekly in your inbox. For Oscar viewers eager to catch up with Bong Joon Hos “Parasite, ” the first-ever non-English-language film to win Best Picture, the timing could not be better for streaming, because its just become available for rental. In fact, save for “Little Women, ” “1917” and “Bombshell, ” which only won in technical categories, every Oscar winner is currently streaming for a fee in digital media stores or on subscription services, and two of the three shorts are posted for free on YouTube. Bongs twisty genre hybrid about a con that metastasizes into class warfare should be a priority, but it will be easier than usual to find out if the Academy got it right. Video transcript transcript ‘Parasite. Anatomy of a Scene The director Bong Joon Ho narrates a sequence from his film. “Hello, this is Bong Joon Ho, director of ‘Parasite. This is the story about infiltration. One family infiltrates to other family. This is in the middle of that process. —that kind of moment. ” “Simply speaking, its just something like ‘Mission: Impossible, the TV series when I was a little kid. I was a huge fan. And this some kind of nerdy family version of ‘Mission: Impossible. ” “In this moment for the young son, he is kind of manipulator. He controls everything. And he has a plan. When they rehearse, it looks like a kind of filmmaking. It is like the son is director, the father is the actor. ” “I intentionally shoot those shots very quickly and some very spontaneous reaction and sudden, small, improvised. And something happened very naturally. Rolling the camera, that kind of momentary feeling is very important. ” The director Bong Joon Ho narrates a sequence from his film. Credit Credit. Neon An underclass family infiltrates the home of a much wealthier clan in Bong Joon Hos impeccably orchestrated allegory about social inequality, which mixes and matches black comedy, social satire and the white-knuckle tension of a thriller. The less known about the plot, the better, given the escalating series of twists that Bong pulls off as the lives of his characters become more closely intertwined. His willingness to play with different genres and tones will be familiar to fans of his previous work, like “The Host” and “Snowpiercer, ” ( see where to stream those here) but rarely have they been more smoothly integrated. Read the New York Times review. Video transcript transcript ‘Joker, Anatomy of a Scene Todd Phillips narrates a sequence from “Joker. ” Hi, this is Todd Phillips. Im the director of “Joker. ” So this scene is interesting because its right after a life-changing cataclysmic event in Arthurs life, and hes found this little kind of rundown park bathroom to go in and collect his thoughts and get himself together. Whats interesting about this scene to me is its entirely different than what we had scripted. In the script, Arthur was to come into the bathroom, hide his gun, wash off his makeup, and staring at himself in the mirror like what have I done. And when we got to the set on the day, Joaquin and I just sort of stood around like, this doesnt really seem very Arthur. Why would Arthur care to hide his gun? And we really kind of tossed around a million ways to just do something different. And it was about an hour into it and I said, hey, you know, I got this piece of music from Hildur. Hildur Gudnadottir is our composer, and shed been sending me music throughout, while we were shooting. And I just wanted to play Joaquin this piece of music. And Joaquin just started to dance to the music, and it was just me and him alone in the bathroom. Theres 250 people on the crew waiting outside. And he just starts doing this dance, and we both kind of look at each other and said, O. K., thats the scene. It made sense to us because when I first met with Joaquin and we first started talking about “Joker, ” I talked to him that Arthur is one of those people that has music in him. So music and dance became a theme in the film. And this is the second time we see him dancing, and its a little bit of Joker coming out, a little bit more than the scene before and a little bit less than the next time we see him dance. [MUSIC PLAYING] Todd Phillips narrates a sequence from “Joker. ” Credit Credit. Niko Tavernise/Warner Bros. Films based on DC Comics have tended to go darker than their Marvel counterparts, but “Joker” goes one step further, dispensing of the standard conflicts between hero and villain in favor of a deeper sociological bent. Anchored by Joaquin Phoenixs performance as Arthur Fleck, a part-time clown and full-time mope who lives with his ailing mother in Gotham City, the film grafts the urban alienation of Martin Scorseses “Taxi Driver” and “The King of Comedy” onto the origin story of DCs most famous villain. Where Heath Ledgers Joker in “The Dark Knight” reflects a broken system, Phoenixs Joker is the product of it. ‘Judy Won for: Best actress Where to watch: Rent it on iTunes, Amazon, Vudu, Google Play and YouTube. The Academy loves a splashy biopic performance, and Renée Zellweger locks into a doozy in Judy Garland, the transcendently gifted singer and actress whose triumphs on stage and screen were darkened by mental health issues and substance abuse. Rather than cover the full scope of her life, “Judy” focuses on her last year, when Garlands sour reputation in America brings her to London in 1968. There, her efforts to revive her career are undermined by her persistent addiction. Zellweger captures both her vulnerably and her volatility as she struggles to put on one last great show. ‘Once Upon a Time … in Hollywood Won for: Best supporting actor, production design Where to watch: Rent it on iTunes, Amazon, Vudu, Google Play and YouTube. When it was announced that Quentin Tarantino was going to make a film about Charles Manson and the Sharon Tate murders, surely no one expected anything like “Once Upon a Time … in Hollywood, ” which builds to that fateful night on Cielo Drive, but approaches it from a side angle. Through the fictional characters of the fading Western star Rick Dalton (Leonardo DiCaprio) and his faithful stunt double Cliff Booth ( Brad Pitt) Tarantino revivifies Hollywood in the summer of 69 and captures its turbulent undercurrents with the sensitivity of a seismograph. Before the inevitable spasms of violence, the film is a bittersweet elegy for the end of an era. ‘Marriage Story Won for: Best supporting actress Where to watch: Stream it on Netflix. Divorce has colored the life and work of the writer-director Noah Baumbach, and he brings all that experience to bear on “Marriage Story, ” a comedy-drama about the agonies and possibilities of uncoupling. Adam Driver and Scarlett Johansson are both superb as a creative couple who cannot come to terms amicably on their own, so they engage in an emotionally and financially costly legal dispute. Baumbach makes an enemy of the process, which brings out the worst in both of them, but even the lawyers have a human dimension, especially Laura Dern as a powerful L. A. attorney who approaches the job with empathy and aggression. ‘Jojo Rabbit Won for: Best adapted screenplay Where to watch: Buy it on iTunes, Amazon, Vudu, Google Play and YouTube. Turning Adolf Hitler into a little boys imaginary friend sounds like an unworkable conceit, but Taika Waititis nervy crowd-pleaser treats Der Führer as a Beatles-like phenomenon that whipped young people like Jojo Betzler (Roman Griffin Davis) into a nationalist frenzy. Jojos time in a Hitler Youth camp is like watching “Moonrise Kingdom” with Nazis, but Waititi undercuts the absurdity by detailing the boys relationship with a Jewish girl his mother (Scarlett Johansson) has hidden behind his bedroom walls. In the battle for his conscience, Hitler proves to be a formidable adversary. ‘American Factory Won for: Best documentary Where to watch: Stream it on Netflix. When the Chinese glass company Fuyao reopens a Dayton, Ohio factory that once housed General Motors, many former G. M. employees return to the work force with the hope of renewed prosperity and cross-cultural harmony. The filmmakers Julia Reichert and Steven Bognar are present for that optimistic moment and they stay through the difficulties that follow, as differences in work ethic, employee safety and compensation open up a rift between Chinese management and disgruntled American line workers. The promise and peril of this globalist experiment is evoked through Reichert and Bognars compassionate eye. ‘Toy Story 4 Won for: Best animated feature Where to watch: Stream it on Disney Plus. Rent it on iTunes, Amazon, Vudu, Google Play and YouTube. The breakout character in this Pixar sequel is Forky, a humble and dimwitted little spork with pipe-cleaner arms, misaligned googly eyes and Popsicle sticks for feet. Hes a charming creation who doubles a signal for the low-stakes ambition of “Toy Story 4, ” which includes the expected Rube Goldberg set pieces and heartstring-tugging of the previous three, but feels more like a stand-alone adventure. Here Woody and the gang are waylaid at a carnival, where they reunite with Little Bo Peep, but have to face the possibility that life may send them on separate destinies. ‘Hair Love Won for: Best animated short Where to watch: Stream it on YouTube. From Kickstarter phenomenon to Oscar winner, “Hair Love, ” directed by Matthew A. Cherry, Everett Downing Jr. and Bruce W. Smith, is about nothing more than a black father struggling to style his daughters seemingly untamable hair. But within that simple premise, played for equal parts whimsy and sentiment, the movie tells a story about black confidence and identity as well as the rewarding hard work of parenthood. Father and daughter dont say a word to each other. They dont need to. Read a feature article on the film. ‘The Neighbors Window Won for: Best live-action short Where to watch: Stream it on YouTube. After three nominations for documentary Oscars — including one for “Street Fight, ” about a young Cory Bookers insurgent campaign for mayor of Newark — the director Marshall Curry finally wins one for a tight piece of short fiction that uses a “Rear Window” scenario to reflect on a rocky marriage. Maria Dizzia and Greg Keller star as the beleaguered parents of young children who naturally get jealous when a good-looking, amorous couple moves into the building across the street and doesnt bother to put up drapes. But that grass-is-greener feeling dissipates as the strangers theyre watching turn out to have more complicated lives than they initially believe. Read the New York Times review of the Oscar nominated shorts. ‘Learning to Skateboard in a Warzone (If Youre a Girl) Won for: Best documentary short Where to watch: Stream it on Hulu. Founded in 2007, the nonprofit organization Skateistan has included skateboarding as part of a larger educational mission to serve disadvantaged children in Afghanistan, South Africa and Cambodia, 50% of them girls. Carol Dysingers 40-minute documentary short narrows the focus to Kabul, Afghanistan, where a brutal patriarchy has persisted after the Taliban. Many girls are denied access to schools and face restrictive and often violent conditions at home. At a secure facility, theyre taught how to read and write, but as the title promises, there are skateboarding lessons, too, intended to empower and delight them. Video transcript transcript ‘Ford v Ferrari, Anatomy of a Scene The director James Mangold narrates a scene featuring Christian Bale and Matt Damon. Hi, this is Jim Mangold, director of ‘Ford v Ferrari. As we begin this sequence, were at the top of the third act of the film, and Christian Bale, playing Ken Miles, is walking out about 10 minutes before the race begins to prepare to start a 24 hour race at Le Mans. My camera kind of tries to set up what this place looks like in the stands, and the spectacle of it. Weve seen it earlier in the film empty, but never seen it in this moment in full flower, packed with crowds and about to go. The point for me, or the strategy here, was to kind of show the calm before the storm. Theres a lot of pageantry and everyones tense. Heres Matt Damon, who plays Carroll Shelby, joining Christian, looking over the Ferrari cars as they go by, which are their chief nemesis in the race and the most brilliantly engineered cars that exist at that point, “Looks flash, dont it? ” “Eh, looks arent everything. ” Enzo Ferrari in the stands watching over them. For me, the goal in this sequence was to show the kind of stress that everyone is living with, but playing down, going about their tasks, getting ready to start the race. “You can take ‘em. Four minutes, Ken. Four minutes, buddy. ” “Live from Le Mans, France—” “Mom! Come on. ” ”—its the worlds most—” - Alright, coming ”—brutal, torturous automobile race. ” Here we see Ken Miles family back at home in Los Angeles watching. For all the characters you see, these Ford executives— thats Jon Bernthal is Lee Iacocca, Enzo Ferrari— all the characters brought to this point in time with the fate and their future at stake in this race. Thats kind of the reason the whole film is building up to what becomes an almost hour long race of many chapters and many adventures, and the lead trading many times. Beautiful tradition at Le Mans thats long since passed is that all the drivers start on the opposite side of the road from their cars. I thought this was a really unique opportunity to stage a kind of start of a race in a different way with each driver uncontained by the shell of their car, just left with their own thoughts standing there on the side of the road moments before they have to leap in the cars, turn the ignition, and begin what will be a 24-hour endurance test for them in the vehicle. [MUSIC PLAYING] ANNOUNCER SPEAKING FRENCH] This next shot was a bear to get, but one I really wanted to get in one piece, which is feeling all the drivers leaping in and pulling out. What makes it difficult? Well, we shot with real cars, not digital ones. So getting 25 expert drivers to drive vintage and semi-vintage cars pulling out all in unison from the stands with 400 extras, is a challenge. And of course, the lights beautiful. We waited for the right moment to do the shot. All of that to create a kind of moment of expectation as this race begins. “What happened to Miles? ” [MUSIC PLAYING, TIRES SCREECHING] One of the very true and kind of interesting facts of the race that I wanted to very much replicate was that Ken Miles in his very first lap had a malfunction immediately with the door of his car. He couldnt shut it. So hes driving in excess of 150 miles an hour on a track with a door that wont shut, and is already after— preparing for this race and preparing this car for so long, running into trouble in the most mundane of ways. You might notice that Im shooting this sequence very much from the point of view of the driver or very close to the road. My goal was to somehow tell the story of an auto race, but not emulate the coverage you see on sports shows, but to put you much more behind the wheel and on the track so that youre feeling much more what these drivers feel. Not only the harrowing nature of the speed and the thrills and the danger, but also the adrenaline and the excitement and the sense of even a kind of perfection that theyre chasing when the driving is going right for them. “Where the hell is Ken? ” “I dont know. ” The actual work of the visual effects team in this sequence is much less about the cars and much more about the stands. We built about a football field length of grandstand, but obviously I couldnt afford to shoot every day with 20, 000 people in the stands, so the work of our many visual effects people are extending our backgrounds to the horizon and also populating the stands. “The bloody door wont close. All right, all right. ” I kind of saw this movie as a ‘Saving Private Ryan in reverse. Its much more of a drama, I think, than many people expect when they see the film for 3/4 of the film, and we put almost all our resources into giving you kind of pretty intense action sequence at the third act of the film. “Go, go, go. ” [TIRES SCREECHING, ENGINE REVVING] The director James Mangold narrates a scene featuring Christian Bale and Matt Damon. Merrick Morton/20th Century Fox The ultimate in Dad-friendly entertainment for a Sunday afternoon, James Mangolds muscular gear head drama about the quest for supremacy between automakers in 1966 stays squarely within its lane, banking on nitro-charged racing sequences and old-fashioned star turns by Matt Damon and Christian Bale. Damon plays car designer Carroll Shelby, whos commissioned by the Ford Motor Company to build a car fast enough to defeat the dominant Ferrari fleet at the 24 Hours of Le Mans. With the volatile Ken Miles (Bale) as his driver, Carroll and his team of engineers put together a winner through hard work, sweat and a lot of spit and bubble gum. ‘Rocketman Won for: Best Original Song Where to watch: Buy it on iTunes. Rent it on Amazon, Vudu, Google Play and YouTube. If this Elton John biopic feels like a more well-engineered piece of craftsmanship than last years Queen biopic “Bohemian Rhapsody, ” it might be because Dexter Fletcher, who replaced Bryan Singer as the director of the earlier film late in production, was on board here from the beginning. “Rocketman” defies precisely none of the genres clichés, but the ascendence of young Reginald Dwight into the pop legend better known as Elton John is a satisfying arc nonetheless. Taron Egertons robust lead performance is one reason, but classic singles like “Saturday Nights Alright for Fighting, ” “Crocodile Rock” and “Your Song” give it the quality of a jukebox musical...

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At 21 minute mark. It's like the pedophile who manipulates its target. This is just done to adult women pedophile gives friendship, attention, video games, treats, food. Then it turns sexual. Same with this. They get groomed, feel important, valued, then promoted. Then you owe them. Tit for tat. HD Suburban Gothic   2015 IMDb 5. 6 100 min An awkward, unemployed man who can talk to the dead teams up with a rebellious bartender to find the vengeful ghost that's been terrorizing their town. Raymond has a prestigious MBA, but he can't find work. He can channel the paranormal, but chatting with a cute girl mystifies him. Kicked out of his big city apartment, Raymond returns home to his overbearing mother, ex-jock father, and beer-bellied classmates. But when a vengeful ghost terrorizes the small town, the city-boy recruits Becca, a badass local bartender, to solve the mystery of the spirit threatening everyone's lives. Watch now.

Bombshell stomp. Bombshell curls on weave. Bombshell the hedy lamarr story. Bombshell trailer. Bombshell is absolutely loaded with talent, as it boasts the names of Margot Robbie, Nicole Kidman, Charlize Theron, Jonathon Lithgow, and others. Everyone brings in a great performance, but Theron and Lithgow were especially noticeable. It's really their movie, and the other actors are nice accompanying pieces.
The actual story which Bombshell is based on only happened a few years ago, but it was fascinating to watch it all unfold on screen. Lithgow does such an incredible job at portraying a man with so much power and the lengths he is willing to go to in order to exercise this control over the staff members beneath him.
This type of sexual harassment is something which happens in Hollywood more often than you would believe, so it's nice to have a film out there which shows that people can come forward and speak out if they are going through something of a a similar nature. Bombshell isn't a documentary and so I don't know if everything is 100% accurate, but I can imagine they didn't stretch too far from the truth.
Having said that, the film does make some odd choices with a few of the supporting characters, and I never felt that it reached the depths that it probably should have. I don't really know what I would have done differently, but I did feel that a little more emotional depth would have been the thing that turned a really good movie into a great one.
All-in-all, Bombshell is absolutely worth a trip out to see it!
SCORE: 76.

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