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Actor Kriti Sanon, Sanjay Dutt / Genre War / / The film is based on the third battle of Panipat which took place on the 14 of January in 1761 between the Marathas and the King of Afghanistan, Ahmad Shah Abdali / Runtime 165 min / 6,8 / 10 Stars. Online video panipat songs. Well the Marathas lost so. Online video panipat new. Kisne kaha review acha milla. Online video panipat train. Panipat Ko Hit Karane Ke Liye Gaand Ki Takat Laga Diya Librandus Ne Fir Bhi Nahi Chali 😂.
Arjun Kapoor, Sanjay Dutt and Kriti Sanon in posters of Panipat | Facebook Text Size: T he last time he was here, the Yamuna ran red for seven days. This time he has come with one lakh soldiers. ” That’s a line from Ashutosh Gowariker’s upcoming Hindi movie Panipat, the lodestar battle that Home Minister Amit Shah loves to slide into his conversations. But as battles go, the Third Battle of Panipat in 1761 is an odd choice for a newly patriotic, flag-waving, cheerleading Indian film industry. After all, the most significant and popular memory of the battle between the forces of the Afghan warlord Ahmad Shah Abdali and the Marathas is that it was a military debacle. It drove the Marathas out of the north for a decade. (Not that you would get the sentiment if you saw the trailer of the Sanjay Dutt, Arjun Kapoor and Kriti Sanon-starrer film. ) So, why would a new India, supposedly still suffering from and still avenging the psychic wounds of hundreds of years of foreign rule, want to revisit the Panipat battle through Ashutosh Gowariker’s ninth film, releasing on December 6? Do Indians in 2019 really want to see the brave Marathas, led by the Peshwa’s cousin Sadashiv Rao Bhau, being brutally destroyed by Abdali, who invaded India nine times between 1747 and 1769? It’s not a simple memory of victory and loss. This was a decisive battle that changed history, humiliated the Hindu Marathas even as they were on a winning spree, and signalled a shift in power, the fallout of which reverberated for centuries. The battle, as Amit Shah said, “paved the way for foreigners to enter India”. At a BJP meeting in January this year, he said the Lok Sabha elections this year were like the battle of Panipat, and they just could not afford to lose it. The key lies in the geopolitics of the time. Also read: Panipat film raises alarm in Afghanistan over Abdali portrayal, embassy writes to MEA ‘The great betrayal’ The Marathas were virtually ruling Delhi by the middle of the 18 th century. The much-weakened 16th Mughal emperor, famously blind Shah Alam II, had been installed by Sadashiv Rao Bhau after deposing Shah Jahan III. The British East India Company was hovering around Delhi, and in 1764 would defeat Shah Alam II in the Battle of Buxar, a blow from which the crumbling Mughal empire would never recover. But as the Panipat trailer hints, and the tagline emphasises (“The Great Betrayal”), instead of battling the growing power of the British, the Mughals considered the Marathas their real enemy. The movie appears to be based on Marathi historian T. S. Shejwalkar’s work, Panipat 1761, where he argued that the Marathas sacrificed themselves to save the Mughals, who were busy surrendering to the British. The trailer shows an emperor, clearly Shah Alam II, convinced that no one would dare go against the Marathas. Until a Mughal courtier says: “ Ek hai, Jahapanah ”. It also shows another Muslim ruler handing over his guns to Abdali. “ Ham Maratha ka safaya kar denge. (We will remove all evidence of Marathas from here), ” to which the Muslim ally, either from the Rohillas or Awadh, says: “ Phir hamari bandookein aapki (Then our guns are yours)”. Also read: A rarely told story of a Maratha vote-bank in deep, distant Haryana The Muslim ‘invader’ Abdali fits the Alauddin Khilji mould of “otherness” – tall, imposing, and dismissive of Hindu martial prowess. The two manifest the stock Muslim “invader” tropes that dominate the 21st-century Hindu psyche. As one of the Panipat posters on Abdali says: “Death strikes where his shadow falls. ” “Why are you throwing your life away for such a small piece of land, ” Abdali asks Sadashiv in the trailer, and he answers even more dramatically (or at least as dramatically as Arjun Kapoor’s acting will allow him): “I am ready to die for even a single grain of dust of my motherland. ” Despite Sadashiv’s best intentions, as historian Audrey Trushcke puts it: “The battle was a bloodbath. A standard number given is that 40, 000 or 50, 000 Marathas were slaughtered. As a Bollywood film in 2019, I would expect to see a strong Muslim vs Hindu storyline and glorification of the Marathas. ” Which would mean the demonisation of Abdali. No wonder the Afghan embassy has already written to the Narendra Modi government fearing misrepresentation of Abdali in the film. Abdali was the first king of Afghanistan, founder of the Durrani dynasty, but not their greatest ambassador to India. As popular historian Archana Goradia Gupta points out to ThePrint, even now in Punjab, which Abdali looted so thoroughly, a saying goes: “ Khanda peenda lahe da, baki Ahmad Shahe da (only what we’ve eaten and drunk is ours, the rest belongs to Ahmad Shah Abdali). ” Also read: The horrifying timeline of India going crazy over Padmavati Fact and fiction For Reliance Entertainment, the distributors of the film, “all the three main cast are looking exciting in their roles”. “The story is patriotic. So, I expect it to do well. In India, traditionally costume dramas do well and in this case, the story is established, ” Reliance Entertainment CEO Shibasish Sarkar told ThePrint. Indeed, unlike Sanjay Leela Bhansali’s Padmaavat (2018) and Gowariker’s own Jodhaa Akbar (2008) – which were part-myth, part-real – there is no ambiguity about anyone’s existence here. Gowariker has been earlier criticised by many Hindutva advocates for greenwashing Mughal history and introducing distortions in the portrayal of Akbar. It was finally the Supreme Court that intervened as the fact-checker for Jodhaa Akbar. Panipat has been produced by Ashutosh Gowariker Private Limited and a new company started by London-based pharma professional Rohit Shelatkar, Vision World. Shelatkar has been quoted as saying: “The hardships Marathas faced reaching Panipat and fighting the battle with the mighty Afghans 1, 000 miles away from their homes in Pune just to protect our motherland from the invaders is something our youth can learn from. There’s a lot to take from Panipat — bravery, might, loyalty, discipline, and patriotism. ” And chest-thumping patriotism is an evergreen winner – in cinema, in deodorant ads or TV channel debates. Especially when it is invoked against the foreigner in history. The subtext in these polarised times is simple: when it came to the crunch, it was the Hindu Marathas who defended India, not the Muslim Mughals. Is it a coincidence that the movie is being released on 6 December, the day when the mosque built by Babur — who established the Mughal empire after the First Battle of Panipat in 1526 — was demolished in Ayodhya 27 years ago? The author is a senior journalist. Views are personal. ThePrint is now on Telegram. For the best reports & opinion on politics, governance and more, subscribe to ThePrint on Telegram.
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One of those rare movies which show the politics and economics behind a war. Fantastically depicted and detailed portrayal of Third Battle of Panipat. Ashutosh Gowarikar has played lot of attention to details. Generally Bollywood movies have been focused only on the fighting part. This is one of those movies which has focused on strategic planning, political alliances and raising war funds. Only down side is both Arjun Kapoor and Kriti Sanon seem misfit as lead actors. Fantastic acting by Sanjay Dutt as Ahmed Shah Durrani. He is a very dignified villain unlike Ranbir Singh of Padmavat in a much more realistic portrayal of an Afghan king.
Who heard it has choda akbar 😂. Where r the move. सर आप जो ये किताबवाला चलाते हो, बस विश्वास बढ़ जाता है आप पे। काफी अच्छी शुरुवात है. Har har mahadev. Online video panipat board. Online video panicatthedisco. Online video panipat movies. Great movie, great performance by all the Actors, sanjay dutt played a great role of Abdalli, Arjun Kapoor best performace so far. Learn more More Like This Comedy | Drama 1 2 3 4 5 6 7 8 9 10 7. 6 / 10 X Two couples with the same surnames pursue in-vitro fertilization and wait for their upcoming babies. Trouble ensues when they find that the sperms of each couple have been mixed with each other. Director: Raj Mehta Stars: Akshay Kumar, Kareena Kapoor, Diljit Dosanjh Romance 6 / 10 Chintu Tyagi is an ordinary, middle class man who finds himself torn between his wife and another woman. Mudassar Aziz Kartik Aaryan, Bhumi Pednekar, Ananya Panday Action Biography 8. 4 / 10 Tanhaji Malusare, a military chieftain in the army of the Maratha king Shivaji, leads the charge to capture the strategically important Kondhana fort guarded by the army of the fierce Rajput chieftain Udaybhan Rathod. Om Raut Ajay Devgn, Saif Ali Khan, Kajol 4 / 10 A coming-of-age story based on the lives of street dancers. Remo D'Souza Varun Dhawan, Shraddha Kapoor, Prabhu Deva Crime 7. 7 / 10 Shivani Shivaji Roy is back and this time she's on the trail of a 21 year old merciless villain who targets women. Gopi Puthran Rani Mukerji, Vishal Jethwa, Shruti Bapna Thriller Karan goes to London to stop a terrorist attack on India. Aditya Datt Vidyut Jammwal, Adah Sharma, Gulshan Devaiah Mystery 6. 4 / 10 When the body of a powerful businesswoman disappears from the morgue, the inspector in charge hunts for the truth. But when he questions her husband he realizes that there is much more to the case than meets the eye. Jeethu Joseph Emraan Hashmi, Rishi Kapoor, Sobhita Dhulipala 3. 7 / 10 Chulbul Pandey encounters an enemy from his past, and his origin story as the fearless cop unfolds. Salman Khan, Sudeep, Sonakshi Sinha Panga is inspired from the life of a national level Kabbadi player from India. It follows her triumphs, struggle and overcoming of stereotypes. It shows how important the love and support of your family is for you to be successful. Ashwiny Iyer Tiwari Kangana Ranaut, Jassie Gill, Richa Chadha 6. 5 / 10 An Indian soldier chases after his mentor who has gone rogue after an unexpected kill. Siddharth Anand Hrithik Roshan, Tiger Shroff, Vaani Kapoor 7. 5 / 10 It tells the story of a man who is balding prematurely and how he copes up with the situation. Amar Kaushik Ayushmann Khurrana, Yami Gautam 7. 3 / 10 In an 18th century setting, a Naga sadhu in India sets out on a journey across Bundelkhand to seek revenge for an injustice committed in the past. Navdeep Singh Zoya Hussain, Manav Vij Edit Storyline The film is based on the third battle of Panipat which took place on the 14 of January in 1761 between the Marathas and the King of Afghanistan, Ahmad Shah Abdali. Plot Summary Add Synopsis Details Release Date: 6 December 2019 (India) See more » Box Office Opening Weekend USA: $295, 624, 8 December 2019 Cumulative Worldwide Gross: $3, 349, 899 See more on IMDbPro » Company Credits Technical Specs See full technical specs » Did You Know? Trivia Ashutosh Gowariker and Sanjay Dutt had acted together in Naam 1986 where Ashutosh Gowariker had a small role of taxi driver. See more » Alternate Versions Before the theatrical release in India, the film received cuts in order to receive a U/A classification. These included muting/replacing of profanity and some dialogues, deletion of extreme violence and modification/addition of some disclaimers. See more » Check out the Indian movies with the highest ratings from IMDb users, as well as the movies that are trending in real time.
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Online video panipat india. Online video panipat song. Bro plz give your valuable review on Tanhaji movie trailer we are waiting for it. Ye serial The great Maratha aur The sword of Tipu Sultan to bachpan ka hissa hai. Good old golden days Doordarshan apni Shaan. Online video panipat 2017. Nonika Singh The Third Battle of Panipat, fought in 1761, is testimony as much to the might of Ahmad Shah Abdali as the valour of his adversary the Maratha Empire. What for many of us might be a one-line note in history books transforms into a full-fledged story replete with background and detail. Ashutosh Gowariker, who has a penchant for translating history onto silver screen, brings to us this fascinating battle. Though history, it is often said, is written from the victor’s point of view, he glorifies the vanquished. The hero here is Sadashiv Rao Bhahu, a Peshwa (Arjun Kapoor) who decides to take on Ahmad Shah Abdali after he is invited by disgruntled elements in India. Sure India was not India back in the 18th century but the idea of Hindostan both Gowariker and his protagonist uphold and float with the secular fabric intact. Though Marathas chant Har Har Mahadev with gusto, Gowariker does not make this a Hindu-Muslim battle and certainly does not feed Islamophobia. Early on in the film, he establishes how traitors are born in every community. Clearly treachery is a thread that runs through the film but Marathas are let down not just by Shuja–ud–Daulah (Kunal Kapoor) but also by Hindu rulers, a few of them on the battleground itself. Indeed, no one can take issues with Gowariker’s intentions or his ambition to take us back into the lanes of history. But, it is in trying to strike a balance between historical veracity and the commerce of cinema that he fails. Much of the film as expected is spent in building up the romance between Sadhashiv and Parvati (Kriti Sanon). No doubt, Kriti looks beautiful and has a meaty part too. The film also boasts of two heroines of yesteryear, Padmini Kolhapure and Zeenat Aman. Zeenat, in a small but significant part of Sakina Begum, retains the grace of her youth but doesn't quite stand up to be counted. Padmini shows the same spark that distinguished her in her heydays but is hemmed in by the archetype that her role demands. Much here follows the hackneyed. Marathas breaking into a song every now and then doesn’t help except introduce us to the scale of those times and the opulence of the sets. The treatment of the film is rich and the grandeur of those times comes across though not in the same fashion as a Bhansali film. With a smattering of Marathi, the language just about passes muster. Words like gathbandhan shatbhandhan stand out like a sore thumb. Even Abdali (Sanjay Dutt) is introduced with a rather insipid one-liner. Unlike Khilji played to menacing perfection by Ranveer Singh in Padamavaat, Abdali is not so demonised. But then despite looming large on the screen, Sanjay Dutt fails to create a solid impact. And that is the biggest problem of the film. For a film that recreates an epic battle, it doesn’t create a powerful impression. Even on the battle ground, everything is spelt out thus diluting the otherwise formidable battle scene formations. Since it all finally boils down to eulogising the bravery of one man Sadashiv, the bloodbath leaves you more cold than emotive. Making a historical, we all know, requires tremendous hard work, research and money. If only Gowariker had added astute skills to his armoury we would not have been forced to say love’s labour lost. For, while history stands as witness to Maratha’s loss, despite their peerless courage, we hate to see Gowariker lose a cinematic battle. More so for alongside goes the earnest endeavour of Arjun Kapoor who looks the part but can’t rise above the film.
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