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About The Author: Jim Anderson

Biography mathematician @unisouthampton, trying to be a writer, follower of the way of harmony. The views expressed here are my own

Genre: Drama
Brief: The Roads Not Taken is a movie starring Javier Bardem, Elle Fanning, and Salma Hayek. Sally Potter's film follows a day in the life of Leo (Javier Bardem) and his daughter, Molly (Elle Fanning), as he floats through alternate lives
directed by: Sally Potter
Wow so nice. I read this poem when I was a college students & now I am a working person & work hard to achieve another goal. this poem encourage me a lot for choosing a different work. nice presentation.

The Roads Not Taken Movie streaming. These DC movies are really getting out of hand. I mean Harly, Atlanna & elseworld Hippolyta take down Fox News. Come on. The Roads Not Taken Movie stream new albums. Its great seeing jim and roy doing okay together.

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That key change to F at 2:38 was amazing. You don't have to be a genius to figure this one out. The reason Frost is one of the most liked poets in the English language is because his poems are often very simple, and he meant them to be, despite that you can understand them on different levels. The poem starts out telling about two roads diverging in the woods before a traveler. The traveler spends some time (we don't know exactly how much, but some) examining the roads before deciding to take the one that looks less traveled by. Once he travels that road a way he realizes that it might not have been the less traveled one after all... Loading…. The Roads Not Taken Movie. This poem had always affected me ever since i first studied it. Im a massive overthinker and i would always worry about the road not taken, the chances and decisions we dont take. You miss 100% of the shots you dont take, but due to my overthinking nature, it pushed me down a mental hole of worry and anxiety. Not being able to turn back time and having to make sure i dont live with regrets. Its pushed alot of people away. Im sorry.

Andrew has a keen interest in all aspects of poetry and writes extensively on the subject. His poems are published online and in print. Robert Frost | Source Robert Frost And A Summary of The Road Not Taken "The Road Not Taken" is an ambiguous poem that allows the reader to think about choices in life, whether to go with the mainstream or go it alone. If life is a journey, this poem highlights those times in life when a decision has to be made. Which way will you go? The ambiguity springs from the question of free will versus determinism, whether the speaker in the poem consciously decides to take the road that is off the beaten track or only does so because he doesn't fancy the road with the bend in it. External factors therefore make up his mind for him. Robert Frost wrote this poem to highlight a trait of, and poke fun at, his friend Edward Thomas, an English-Welsh poet, who, when out walking with Frost in England would often regret not having taken a different path. Thomas would sigh over what they might have seen and done, and Frost thought this quaintly romantic. In other words, Frost's friend regretted not taking the road that might have offered the best opportunities, despite it being an unknown. Frost liked to tease and goad. He told Thomas: "No matter which road you take, you'll always sigh and wish you'd taken another. " So it's ironic that Frost meant the poem to be somewhat light-hearted, but it turned out to be anything but. People take it very seriously. It is the hallmark of the true poet to take such everyday realities, in this case, the sighs of a friend on a country walk, and transform them into something so much more. "The Road Not Taken" is all about what did not happen: This person, faced with an important conscious decision, chose the least popular, the path of most resistance. He was destined to go down one, regretted not being able to take both, so he sacrificed one for the other. Ultimately, the reader is left to make up their own mind about the emotional state of the speaker at the end. Was the choice of the road less travelled a positive one? It certainly made "all the difference, " but Frost does not make it clear just what this difference is. All of Robert Frost's poems can be found in this exceptional book, The Collected Poems, which I use for all my analyses. It contains all of his classics and more. It's the most comprehensive collection currently on offer. "The Road Not Taken" by Robert Frost Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. What Is the Main Theme of "The Road Not Taken? " The main theme of the "The Road Not Taken" is that it is often impossible to see where a life-altering decision will lead. Thus, one should make their decision swiftly and with confidence. It is normal to wonder what the outcome would have been if the other road, the road not taken, was the road chosen. But to contemplate this hypothetical deeply is folly, for it is impossible to say whether taking the other road would have been better or worse: all one can say is that it would have been different. What Is the Central Message of "The Road Not Taken? " "The Road Not Taken" suddenly presents the speaker and the reader with a dilemma. There are two roads in an autumnal wood separating off, presumably the result of the one road splitting, and there's nothing else to do but to choose one of the roads and continue life's journey. The central message is that, in life, we are often presented with choices. When making a choice, one is required to make a decision. Viewing a choice as a fork in a path, it becomes clear that we must choose one direction or another, but not both. In "The Road Not Taken, " Frost does not indicate whether the road he chose was the right one. Nonetheless, that is the way he is going now, and the place he ends up, for better or worse, was the result of his decision. This poem is not about taking the road less travelled, about individuality or uniqueness. This poem is about the road taken, to be sure, as well the road not taken, not necessarily the road less traveled. Any person who has made a decisive choice will agree that it is human nature to contemplate the "What if... " had you made the choice you did not make. This pondering about the different life one may have lived had they done something differently is central to "The Road Not Taken. " The speaker opts, at random, for the other road and, once on it, declares himself happy because it has more grass and not many folk have been down it. Anyway, he could always return one day and try the 'original' road again. Would that be possible? Perhaps not, life has a way of letting one thing leading to another until going backwards is just no longer an option. But who knows what the future holds down the road? The speaker implies that, when he's older he might look back at this turning point in his life, the morning he took the road less travelled, because taking that particular route completely altered his way of being. What Is the Structure of "The Road Not Taken? " This poem consists of four stanzas, each five lines in length (a quintrain), with a mix of iambic and anapaestic tetrameter, producing a steady rhythmical four beat first-person narrative. Most common speech is a combination of iambs and anapaests, so Frost chose his lines to reflect this: Two roads di verged in a yell ow wood, And sor ry I could not tra vel both This simple looking poem, mostly monosyllabic, has a traditional rhyme scheme of ABAAB which helps keep the lines tight, whilst the use of enjambment (where one line runs into the next with no punctuation) keeps the sense flowing. The whole poem is an extended metaphor; the road is life, and it diverges, that is, splits apart–forks. There is a decision to be made and a life will be changed. Perhaps forever. What Is the Mood and Tone of "The Road Not Taken? " Whilst this is a reflective, thoughtful poem, it's as if the speaker is caught in two minds. He's encountered a turning point. The situation is clear enough - take one path or the other, black or white - go ahead, do it. But life is rarely that simple. We're human, and our thinking processes are always on the go trying to work things out. You take the high road, I'll take the low road. Which is best? So, the tone is meditative. As this person stands looking at the two options, he is weighing the pros and cons in a quiet, studied manner. The situation demands a serious approach, for who knows what the outcome will be? All the speaker knows is that he prefers the road less travelled, perhaps because he enjoys solitude and believes that to be important. Whatever the reason, once committed, he'll more than likely never look back. On reflection, however, taking the road "because it was grassy and wanted wear" has made all the difference, all the difference in the world. What Are the Poetic Devices Used in "The Road Not Taken? " In "The Road Not Taken, " Frost primarily makes use of metaphor. Other poetic devices include the rhythm in which he wrote the poem, but these aspects are covered in the section on structure. What Is the Figurative Meaning of "The Road Not Taken? " Frost uses the road as a metaphor for life: he portrays our lives as a path we are walking along toward an undetermined destination. Then, the poet reaches a fork in the road. The fork is a metaphor for a life-altering choice in which a compromise is not possible. The traveler must go one way, or the other. The descriptions of each road (one bends under the undergrowth, and the other is "just as fair") indicates to the reader that, when making a life-altering decision, it is impossible to see where that decision will lead. At the moment of decision-making, both roads present themselves equally, thus the choice of which to go down is, essentially, a toss up–a game of chance. The metaphor is activated. Life offers two choices, both are valid but the outcomes could be vastly different, existentially speaking. Which road to take? The speaker is in two minds. He wants to travel both, and is "sorry" he cannot, but this is physically impossible. What Is the Literal Meaning of "The Road Not Taken? " Literally, "The Road Not Taken" tells the story of a man who reaches a fork in the road, and randomly chooses to take one and not the other. What Is the Symbolism of "The Road Not Taken? " The road, itself, symbolizes the journey of life, and the image of a road forking off into two paths symbolizes a choice. As for color, Frost describes the forest as a "yellow wood. " Yellow can be considered a middle color, something in-between and unsure of itself. This sets the mood of indecision that characterizes the language of the poem. Frost also mentions the color black in the lines: And both the morning equally lay In leaves no step had trodden black. Clearly, this is to emphasize that both roads appeared untouched, not having been tarnished by the foot of a previous traveler. The poet is the first to encounter this dilemma. What Is the Point of View of "The Road Not Taken? " The point of view is of the traveler, who, walking along a single path, encounters a fork in the road and stops to contemplate which path he should follow. How Do the Two Roads Differ in "The Road Not Taken? " The two roads in "The Road Not Taken" hardly differ. The first road is described as bending into the undergrowth. The second road is described as "just as fair, " though it was "grassy and wanted wear. " At this, it seems the second road is overgrown and less travelled, but then the poet writes: Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no steps had trodden black. So, again, the roads are equalized. Yet, as if to confuse the reader, Frost writes in the final stanza: I took the one less traveled by, And that has made all the difference. With that, we are left to wonder how Frost knew the road he took was the one less traveled by. But Frost likely left this ambiguity on purpose so that the reader would not focus so much on condition of the road, and, instead, focus on the fact that he chose a road (any road, whether it was that which was less traveled by or not), and that, as a result, he has seen a change in his life. "The Road Not Taken" in Orange Is the New Black (Video) Sources Norton Anthology of Poetry, 2005, Norton. The Hand of the Poet, 1997, Rizzoli. 100 Essential Modern Poems, 2005, Ivan Dee. Questions & Answers Question: Can you explain iambic anapaestic tetrameter? Answer: Please read the analysis in my article. © 2017 Andrew Spacey.

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The Roads Not Taken Movie stream online. The Roads Not Taken Movie stream. Dandy lions. good pun. The Roads Not Taken Movie streams. I just started listening to your older podcasts. This was mentioned in episode 2. I'm surprised it took you nearly 2 years to make a video on it. Thank's so much i remember learning that poem back in high school i was just today walking on some pathes near my place and came apon two pathes which diverted but it was not in a yellow wood's but in a green wood's seeing how it's the begging of summer OMG i know my spelling sorrey i never did finish high skool but somehow i remember that poem thank's so much.

Great poem, great video. thank you, John

The roads not taken movie streaming. Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference.

Robert Frost is one of the most critically acclaimed American poets of the 20th century, which is a roundabout way of saying you almost certainly studied one of his poems in school. Most likely, it was a short piece called The Road Not Taken- a poem famous for being one of the most misunderstood and misinterpreted poems ever written, and a testament to how twisted the meaning of something can be by taking a quote out of context. Oh, and it also played a small role in the death of the guy it was written about. To begin with, the part of the poem most everyone is intimately familiar is the last three lines: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. From this, and this alone, it would seem the protagonist of the poem took the road less traveled by and this positively benefited his life over taking the more commonly trodden path… While poems can have many different meanings to different people, and certainly parts of this particular poem are very much open to interpretation, what cannot be denied is that the central character of this poem unequivocally does not actually take the road “less traveled”. You see, while it may come as a shock to those of us that had a habit of occasionally nodding off in school, the poem has more than just three lines, and the true meaning of (most of) it is fairly obvious if you just read the entire thing all the way through. To wit, the protagonist of the poem goes out of his way to make it clear that the two paths are virtually identical- neither is more traveled than the other. The setup: Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; From this, you might actually think one was less trodden, except for the next line when the traveler explains he was really just casting about trying to find some reason to take one road or the other in the previous lines and that in truth the roads seemed equally traveled: Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Of course, one can’t just stand around in a wood all day, so a choice must be made.  With no reason to choose one road over the other, the traveler takes one, then consoles himself that he will simply come back another time and see where the other road goes… before admitting that in this thought he was really just trying to fool himself once again, as he had tried to do previously by attempting to convince himself one path was less traveled than the other: Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. In the end, he states the most famous part of this poem, though including two key lines that are generally omitted when people are quoting the last stanza of this piece: I shall be telling this with a sigh Somewhere ages and ages hence: So, in the end, while he was very clear in the present that the two roads were identical with no real reason to take one over the other, later in life he knew he’d once again fool himself, this time successfully, by instead remembering that one road was “less traveled by” and that this influenced his decision, when in fact he really decided on a whim. Of course, it isn’t wholly clear at this point whether in “ages and ages hence” he is sighing and noting “that has made all the difference” out of contentment- that his reasoning was sound and that he made the correct choice- or regret, that he’d not been able to see where the other path went, perhaps to a better place than the one he chose on that fateful day. It is generally thought that the latter, “regret”, notion is the “correct” interpretation, at least as far as the original intent of the author. Perhaps speculatively backing this up is the fact that the poem is called “The Road Not Taken”, rather than “The Road Less Traveled”, priming the reader to focus on the former, rather than the latter. But is there any actual evidence to support one interpretation over the other, at least as far as Frost was intending when he wrote it (if he had any real intent at all)? Frost would later state of the poem, “You have to be careful of that one; it’s a tricky poem – very tricky” (Letters xiv-xv). Frost also called the poem his “ private jest “.  You see, Frost was well aware that people would misunderstand “The Road Not Taken”. He experienced this fact when he first began sharing it, with everyone taking the poem “pretty seriously”, as he noted after reading it to a group of college students.  He also later stated this was despite the fact that he had been “doing my best to make it obvious by my manner that I was fooling … Mea culpa. ” To delve further into the mystery, we must look into the interesting origin of the poem. According to Frost, the poem was about his very close friend Edward Thomas, a fellow writer and (eventual) poet in his last years who Frost got to know very well during his time in England in the early 20th century. Frost later noted in a letter he wrote to Amy Lowell that “the closest I ever came in friendship to anyone in England or anywhere else in the world I think was with Edward Thomas”. During their time together, Frost and Thomas took to frequently taking “talks–walking”- walks through the English countryside to look for wild flowers and spot birds, and most importantly discuss all manner of topics from politics and the war, to poetry and their wives, and everything in between. Frost later noted that during their random walking about, frequently a choice had to be made over which path to take. Inevitably one would be chosen for one reason or another and after their walks, Thomas would sometimes kick himself for not taking the other path if their walk failed to result in the sighting of anything interesting.  This ultimately caused Frost to quip that Thomas was a person who, whichever road he went, would be sorry he didn’t go the other. When he returned to America, Frost penned the poem as a friendly, humorous jab about Thomas’ indecisiveness, sending an early draft to Thomas titled, “ Two Roads ” in the early summer of 1915. Thomas reportedly misinterpreted it. Frost then explained the poem’s actual meaning, even going so far as saying that “the sigh was a mock sigh, hypocritical for the fun of the thing”. In response, Thomas noted that he felt that Frost had “carried himself and his ironies too subtly” and that I doubt if you can get anybody to see the fun of the thing, without showing them and advising them which kind of laugh they are to turn on. Nonetheless, the poem had an effect on Thomas and not long after reading it, as you’ll soon see, he decided to enlist in the army. This is something of a surprise move as Thomas was not noted for being particularly patriotic, at least in terms of caring one way or the other about the politics of the conflict resulting in WWI. (See: What Really Started WWI) Indeed, he was noted as being an anti-nationalist who despised the propaganda and blatant racism against Germans being thrown about in the British media at the time. He even went so far as to state that his real countrymen were not Englishmen, but the birds. However, during the pairs’ walks, two things occurred to begin making Thomas seriously consider what he’d do if the war was brought to him.  Would he flee for safer shores, or stand and defend his country? One of the events occurred shortly after the start of WWI. Thomas noted in his journal, a sky of dark rough horizontal masses in N. W. with a 1/3 moon bright and almost orange low down clear of cloud and I thought of men east-ward seeing it at the same moment. It seems foolish to have loved England up to now without knowing it could perhaps be ravaged and I could and perhaps would do nothing to prevent it… He later noted, “Something, I felt, had to be done before I could look again composedly at English landscape”. So while up to this point he had been indifferent to the politics behind the war, he now began to consider that it really didn’t matter what the war was being fought over; if the land and all that was on it was directly threatened, it needed defending if it was to be preserved. The second event that influenced his decision was something he often lamented after in letters. This concerned a matter of what he perceived to be cowardice on his part, though most of us might consider that he was being the only reasonable one in the ordeal. During one of Frost and Thomas’ walks in later 1914, they were confronted with a shotgun wielding gamekeeper who told them to leave the area. Frost felt he was fully in his rights to walk the land in question and wasn’t inclined to bugger off, never mind the gun pointed at him. Frost even nearly decided to bring his fists to the gun fight, but put them down after observing Thomas backing away as Frost was escalating the situation. A few more choice words later and the pair parted ways with the gamekeeper.  But this wasn’t the end of it. Frost decided to go find the gamekeeper’s home, and after banging on the door, the gamekeeper answered.  At this point, Frost, no doubt using eloquence befitting a wordsmith of his stature, told the gamekeeper off once again, explaining what would happen if said gamekeeper ever chose to threaten the pair again while they walked. With that said, Frost and Thomas turned to leave. As they were leaving, the gamekeeper grabbed his shotgun and chose his first target as Thomas. Once again, Thomas, reasonably, reacted by trying to exit the situation rapidly without provoking the person who had a gun trained on him. In the end, the pair left unharmed. However, Thomas couldn’t help but dwell on the fact that his friend had not backed down to a shotgun in his face, while he himself reacted the opposite. He became woefully ashamed of what he perceived as his cowardice in the matter. It also wasn’t lost on him that at that very moment some of his other friends were off demonstrating their bravery fighting in the war while he was safe at home. Frost later attributed this feeling Thomas had of his perceived cowardice as the core reason he went to war. Essentially, Frost felt Thomas wanted a do-over and was making another attempt at testing his mettle, this time in France. This brings us back to the poem and the decision Thomas had been long agonizing over.  He had strong thoughts of emigrating to America to come live near Frost, stating, “I am thinking about America as my only chance (apart from Paradise)”, but that he also felt drawn to the war: “Frankly I do not want to go, but hardly a day passes without my thinking I should. With no call, the problem is endless”. Then the poem arrived on his doorstep in the early summer of 1915. And so it was that shortly thereafter in early July of that year, he wrote to Frost telling him of his final decision on which road he’d take: “Last week I had screwed myself up to the point of believing I should come out to America… But I have altered my mind. I am going to enlist on Wednesday if the doctor will pass me”. Today, the poem and its thought provoking lines are generally regarded as being the “final straw” that made Thomas decide to stop brooding over what to do and finally pick a road- finding his courage and enlisting. This came as a surprise to virtually everyone in Thomas’ life due to the fact he was a 37 year old married father of three who, as noted, was staunchly anti-nationalist and otherwise was not required to enlist. The decision cost him his life. On April 9, 1917 during the battle of Arras in France, he was shot in the chest and killed- a death that was seemingly premature. Of course, had he taken the other road, perhaps instead of a bullet through his chest, he may have met with a watery grave if his ship to the states had been sunk. Or perhaps he would have spent many years writing incredible poetry that was the hallmark of the last couple years of his life- happily living and working next to his great friend, Robert Frost. If you liked this article, you might also enjoy our new popular podcast, The BrainFood Show ( iTunes, Spotify, Google Play Music, Feed), as well as: The Truth About the Origin of “Humpty Dumpty” You’ve Been Saying It Wrong (11 Famous Quotes That Have Changed Over Time) The Truth About JFK and His “Jelly Filled Doughnut” Speech The Melody for the Star Spangled Banner was Taken From a Drinking Song Mozart’s Much Less Family Friendly Works Bonus Fact: Robert Frost suffered through a generous heaping of loss in his lifetime.  His father died of consumption (See: Why was Tuberculosis Called “Consumption”) when Frost was 11, leaving the family destitute.  Fifteen years later his mother died of cancer. Two decades after that he was forced to have his sister, Jeanie, committed to an insane asylum, where she ultimately died. His daughter, Irma, also had to be committed for mental health issues, ultimately dying in 1967. His son, Carol, committed suicide in 1940. Another of his daughters, Marjorie, died of a fever after giving birth in 1934, at the age of 29. Yet another daughter, Elinor, died when she was just three days old. His wife died in 1938 of heart failure following breast cancer. In the end, Frost, who died in 1963, outlived his wife by a good margin as well as four of his six children. Expand for References.

Please say, “Sharing tea with a fascinating stranger is one of lifes true delights.”.



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